In the last segment I discussed where certain literary and narrative divisions exist in Genesis 1-3. For instance, I previously noted that the narrative section which begins in Genesis 1.1 most likely ends at Genesis 2.4a. Additionally, I noted one crucial literary feature of this first creation account, namely that it is broken into seven one-day intervals (i.e., a one week period). Furthermore, I briefly noted that there is a further significant literary division between days one through six which describe God’s physical creative activities (each of which ends with the formulaic phrase “(And) there was evening and there was morning, day…”) and the seventh (and final) day which is the pinnacle of the account and which describes God’s sanctifying the seventh day. Having noted these literary markers and narrative boundaries, I shall now further explore other literary devices which structure the first creation account’s six creative days, and analyze their implications concerning Israelite beliefs about creation.